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Longsword vs Katana
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Adam



Location: Auckland

PostPosted: Tue Sep 11, 2007 9:20 am     Longsword vs Katana Reply with quote

Ever wondered about the knight vs Samurai ??
(I know you have)

http://www.thearma.org/essays/knightvs.htm
Stuart




PostPosted: Tue Sep 11, 2007 10:51 am      Reply with quote

When the Dutch started diplomatic relations with Japan in the 16th century, this topic was the subject of much discussion. Eventually one of the Shogans decided to settle matters with a dual. He selected one of his best warriors and a spanish swordsman was the opposite. The story goes that as the samuri raised his sword to cut, the spaniard ran him through. End of contest.
I did iado to a reasonable level and it all comes down to finding an opening on your opponent. As a medieval swordsman, the same is true.

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Callum
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Location: Upper Hutt

PostPosted: Tue Sep 11, 2007 12:52 pm      Reply with quote

I think that this story is an "urban legend" as to the best of my knowledge this type of duel has never been documented in any reliable period sources. It's a matter that has been discussed in many other fora over time.

But if I am wrong then I'm proved corrected Very Happy

A true story though when I used to do fencing was that a Japanese Kendo exponent showed up at our fencing club wanting to see how Kendo would go against fencing. My instructor at the time (Dick Reynolds) took him on with both sabre and epee in two matches and basically handed him his arse on a plate in both matches.

Soon as the kendo guy raised his hands above his head to strike he was toast Very Happy

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Order of the Boar - www.jousting.co.nz

Order of the Boar Historical Foot Combat -
www.hapkido.org.nz/upperhutt.html
Vorschlag



Location: Auckland

PostPosted: Tue Sep 11, 2007 6:47 pm      Reply with quote

I've always been puzzled by this argument, correct any mistakes I make here but weren't the samari's weapon spear and bow, their swordsmanship schools being a development rather late into the piece.

Further to this there is a substantial difference in armour quality and quantity between the two in most periods, thus the samari 'might' win 'if' (and that is a big if) the knight doesn't make use of a long bow or arbalest (both of which I 'believe' out range the samari bow).

Further to this I have had it explained to me that samari swordsmanship relies on a first hit kill system with little or no emphasis placed on working from a bind, (thus much like later period European arts which pale in comparison to knightly arts)

I've never done any study into the facts around eastern swordsmanship (so again correct me if I’m wrong) but the idea of a samari coming up on top don't seem realistic.

Further to this as someone's bound to bring it up there is the annoyingly common pirate and ninja argument.

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On five words hinge the entire art of the sword, in and out of armour, on horse and on foot.
Oskar der Drachen



Location: Masterton

PostPosted: Tue Sep 11, 2007 6:51 pm      Reply with quote

My Master At Arms was quite proficient at both. He added to his skill by being a Dancing Master as well.

He preferred the katana over the longsword because of the quillion issue. He felt that he could be more fluid in his movenemts through the combat without them.

Me I prefer the longsword, I find the use of quillions to be instinctive, and not a hindrance, I also use both edges fluently. I can use a katana, but I have to think too much about where the edge is to be better than "pretty good". It isn't an instinct as to where the edge is, even with the curve of the weapon.
Vorschlag



Location: Auckland

PostPosted: Tue Sep 11, 2007 6:58 pm      Reply with quote

Quote:
hacking, shearing cuts delivered primarily from the elbow and shoulder and employing wide passing steps.


The above comment also makes me pause to wonder what this gentleman actually practices in w.m.a/h.e.m.a as wide steps breach allot of the fundamentals and while the cutting action is delivered on the pass moving from ward to ward that description almost makes it sound like a bash attack with a baseball bat or something.

Mayhaps it's just his wording however.

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On five words hinge the entire art of the sword, in and out of armour, on horse and on foot.
Joel of Old




PostPosted: Thu Sep 13, 2007 4:50 am     Kendo V's Fencing Reply with quote

The concept of Fencing taking on Kendo is laughable. It's like Baseball taking on Cricket - They are both sports that involve similar equipment, but orientated around different rules and completely different cultures.

In Kendo, for example, you can hit the guy in the head a hundred times... but if you don't shout it don't count. I believe you also have to be travelling forward and your cut has to be exact and not... 'wishy washy'.
Yes, fencing would take Kendo apart, by fencing rules.

As for the Knight V's Samurai (that's how it's spelled BTW), anyone who's read the Art of War would know that the warrior who chooses the battleground wins before the fight even starts. Musashi once turned up to a duel late, so as to enrage his opponent, who upon sighting Musashi rushed him in a frenzy. Subsequently he was cut down with ease.

Was Musashi a better fighter, maybe, did he win, yes.

Kenjitsu had several schools of thought, most were orientated around the single strike/kill principal. The one I am studying is called the 'Single Sword' school, based on the principal of a single attack straight and true down the centreline, taking your opponents weapon offline, whilst keeping yours on, being out of range (by millimeters) of their strike, and connecting with yours only by the distance needed.

Japan never developed shields for foot soldiers, except bowmen (and women), and the Sword was a symbol of the Samurai, and not worn nor wielded by any other class.

Quote:
Further to this I have had it explained to me that samari swordsmanship relies on a first hit kill system with little or no emphasis placed on working from a bind, (thus much like later period European arts which pale in comparison to knightly arts)


The bind is used in Eastern style, but not in the same fashion, and certainly not emphasised as it is in W.M.A. It's more of a step in the middle of an attack.

As for Ninjas...Rolling Eyes if you wanted to be good at spying, be the old man who tends the royal gardens, not some kick-arse black-clad warrior/thief. Ninjitsu does not have a good reputation in Japan, and is thought, by many, to be a Martial Art created in the 60's and 70's to fuel the American market of Hollywood created wannabes. According to my Sempai, there's ZERO evidence that they ever existed...

mind you they'd want it that way. Laughing

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When they hit you, just smile back with broken teeth and spit them in their face.
stephan




PostPosted: Thu Sep 13, 2007 12:20 pm     Re: Kendo V's Fencing Reply with quote

Joel of Old wrote:
The concept of Fencing taking on Kendo is laughable. It's like Baseball taking on Cricket - They are both sports that involve similar equipment, but orientated around different rules and completely different cultures.

In Kendo, for example, you can hit the guy in the head a hundred times... but if you don't shout it don't count. I believe you also have to be travelling forward and your cut has to be exact and not... 'wishy washy'.
Yes, fencing would take Kendo apart, by fencing rules.

As for the Knight V's Samurai (that's how it's spelled BTW), anyone who's read the Art of War would know that the warrior who chooses the battleground wins before the fight even starts. Musashi once turned up to a duel late, so as to enrage his opponent, who upon sighting Musashi rushed him in a frenzy. Subsequently he was cut down with ease.

Was Musashi a better fighter, maybe, did he win, yes.

Kenjitsu had several schools of thought, most were orientated around the single strike/kill principal. The one I am studying is called the 'Single Sword' school, based on the principal of a single attack straight and true down the centreline, taking your opponents weapon offline, whilst keeping yours on, being out of range (by millimeters) of their strike, and connecting with yours only by the distance needed.

Japan never developed shields for foot soldiers, except bowmen (and women), and the Sword was a symbol of the Samurai, and not worn nor wielded by any other class.

Quote:
Further to this I have had it explained to me that samari swordsmanship relies on a first hit kill system with little or no emphasis placed on working from a bind, (thus much like later period European arts which pale in comparison to knightly arts)


The bind is used in Eastern style, but not in the same fashion, and certainly not emphasised as it is in W.M.A. It's more of a step in the middle of an attack.

As for Ninjas...Rolling Eyes if you wanted to be good at spying, be the old man who tends the royal gardens, not some kick-arse black-clad warrior/thief. Ninjitsu does not have a good reputation in Japan, and is thought, by many, to be a Martial Art created in the 60's and 70's to fuel the American market of Hollywood created wannabes. According to my Sempai, there's ZERO evidence that they ever existed...

mind you they'd want it that way. Laughing


still the ninja vs samurai on last samurai was fucking awesome
i reckon the better fighter would win reguardless of equipment and style the better fighter will win{compete naked and none of this will count only skill} also samurai armour is bulit to take solid chops from samurai swords witch i belive have a very forward balance quite differnet from a long sword so it could problay give equal protection to european stuff but european armour varyes so wildy it could be norman/ half plate/full plate etc etc but from what i have seen samurai armour has remained practicaly simimar through out the ages {tell me if i am wrong} also what would happen if tey swaped swords ? that would be interesting as it would relly prove the better figter and end this equpment nonsense

regards stephan
Joel of Old




PostPosted: Sun Sep 16, 2007 6:21 pm      Reply with quote

I would love to see them swap weapons. Most weapons have very similar principals. For example, as I understand, if you have learned Silver's sword work then you can apply it to axe and mace, and even a heavy stick with ease - with the exception of a few tricks with each weapon they work in a similar fashion - hit with sharp/heavy end until they stop moving.

The same is true for Katana/Naginata/Unarmed (believe it or not)... and it makes sense not to teach a fighter ten different styles, but instead one style that applies to ten different weapons. I know that it Daito-Ryu Jiujitsu the application of strikes and pressure of locks follow the line of sword strikes (generally to the head/neck) and failure to follow this principal results in dramatically less effectiveness.

But back to the Ninja/Samurai/Western Soldier hypothesis... yes a good test of the Warriors would be to swap weapons, or to have no weapons, or to do a trial over several days... because at the end of the day if you beat someone, you are only better than them then and there... and that superiority extends no further.

Many warriors would do well to remember this with every victory.

Someone once told me, "It's easy to become better than another, but far harder to stop others from becoming better than you."

_________________
When they hit you, just smile back with broken teeth and spit them in their face.
Vorschlag



Location: Auckland

PostPosted: Sun Sep 16, 2007 7:46 pm      Reply with quote

Silvers sword work, works because it has a basket hilt without the basket many of the techniques he uses for single sword and sword and buckler are suicidal as the arm and hand is not protected (i.e he doesn't draw into a bind the same way earlier period systems do, he encourages you to seperate your sword and buckler/sword and shield).
So where I agree some of it can be adopted it doesn't function like a medieval masters system designed to function between weapons etc.

The lack of cross and the difference in pommel would mean a katana would likely be used in a harness fighting style, i.e used more a spear, handling half way down the blade.
This style in theory would not be needed against the samurai's armour, where the samurai would need to make use of such techniques against the knights plate.

As stated due to the armour of the knight I see the samurai being at a severe disadvantage, but for a true test of swordsmanship skills both would need to reduced to shirt fighting, i.e no armour just period clothing and a sharp of their style.

_________________
On five words hinge the entire art of the sword, in and out of armour, on horse and on foot.
stephan




PostPosted: Wed Sep 19, 2007 11:03 am      Reply with quote

Joel of Old wrote:
I would love to see them swap weapons. Most weapons have very similar principals. For example, as I understand, if you have learned Silver's sword work then you can apply it to axe and mace, and even a heavy stick with ease - with the exception of a few tricks with each weapon they work in a similar fashion - hit with sharp/heavy end until they stop moving.

The same is true for Katana/Naginata/Unarmed (believe it or not)... and it makes sense not to teach a fighter ten different styles, but instead one style that applies to ten different weapons. I know that it Daito-Ryu Jiujitsu the application of strikes and pressure of locks follow the line of sword strikes (generally to the head/neck) and failure to follow this principal results in dramatically less effectiveness.

But back to the Ninja/Samurai/Western Soldier hypothesis... yes a good test of the Warriors would be to swap weapons, or to have no weapons, or to do a trial over several days... because at the end of the day if you beat someone, you are only better than them then and there... and that superiority extends no further.

Many warriors would do well to remember this with every victory.

Someone once told me, "It's easy to become better than another, but far harder to stop others from becoming better than you."


i totally agree, you have taken my point a step futher ,thanks

it is so good to know people who understand these basic facts of fighting !
intellgent converstion is always welcome

reguards stephan
Vorschlag



Location: Auckland

PostPosted: Wed Sep 19, 2007 6:43 pm      Reply with quote

Quote:
very forward balance quite different from a long sword


Longsword is forward weighted....

Quote:
also samurai armour is bulit to take solid chops from samurai swords witch i belive have a very forward balance quite differnet from a long sword so it could problay give equal protection to european stuff


Doubtful, as the European art doesn't rely on solid chops it relies on thrusts, cuts and slices.
Heavy chops are seen as overcommitted by the European masters, each of which gives you ways of taking the person apart should they rely on them.

Quote:
european armour varyes so wildy it could be norman/ half plate/full


Hence the point raised elsewhere about the period in question and thus the weaponry and armour of each.

Quote:
it is so good to know people who understand these basic facts of fighting


Have you ever fought someone with a sharp?, to the death?, I'm intrigued, what are these facts that some of us could be missing from being in a real fight with a sword, w.m.a could surely benefit from such a resource, please enlighten us.

Enough of taking the piss though, the variables for the fight are, weapon, armour, schooling (i.e. chosen art), period of training, physical capacity and understanding of martial concepts.

If we assume they are on even grounds, i.e. remove the knights superior armour, discard swords and go to grappling, dagger fighting, spear and other sources where people can at least somewhat agree the match is even, it will come down which art is superior.

This is if we remove territorial conditions such as weather and terrain of course.

Once the water it down to such grounds we are left with the conclusion that.... We don’t know, because it didn’t happen and thus is open to speculation. arts in action.

_________________
On five words hinge the entire art of the sword, in and out of armour, on horse and on foot.
White Knight



Location: Orcland

PostPosted: Thu Oct 25, 2007 11:51 pm      Reply with quote

From what I have read from this discussion it seems that the samurai is at a disadvantage for two reasons, ignoring armour.

Firstly, if the samurais sole attack is to move straight down the centreline then all the longsword fighter would have to do is step off slightly to the right for his attackers strike to miss, putting himself out of his attackers range while he still has the range to strike the samurai.

Secondly, if the samurai stands with his sword in a non-striking position and has to raise his sword to strike then he has lost time by having to make this action in which time his opponent could strike him. I remember Dean McKinstry saying "if your opponent changes position (or wards) hit him". This technique, if I can call it that, works. It's all about timing.
If you waste time you give your opponent time to attack you.

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Living History. Choose to be part of it.
Inigo



Location: Auckland

PostPosted: Fri Oct 26, 2007 9:47 am      Reply with quote

This is a no brainer question. The longsword would win.

Because this would only ever happen in a Hollywood movie, and most Hollywood directors are white.

Simple!

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A book may be able to teach you something of fighting, but it can't cover your back when the shield wall breaks up!
Colin



Location: Wellington

PostPosted: Fri Oct 26, 2007 11:09 am      Reply with quote

I would have thought it would have been the other way around for the very same reasons Mr. Green

Anyway, we've already answered this completely conclusively and without any trace of bias in the NZSEMA FAQ.

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The person who writes for fools is always sure of a large audience.
- Arthur Schopenhauer

See http://www.swordsmanship.co.nz/
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